Perhaps you were lucky enough to see the show
[https://www.moma.org/learn/moma_learning/marina-abramovic-marina-abramovic-the-artist-is-present-2010/]
—before face masks and travel restrictions and crowd reductions and social
distancing and quarantine and COVID-anything-at-all.
When the words Waiting for the host to start this meeting appear on the TV
screen, I call, “I figured out how to AirPlay the iPad to the Roku” to the
kitchen, where
This interview represents a homecoming for Makoto Fujimura
[https://makotofujimura.com/about], whose International Arts Movement (IAM) was
the sponsoring institute of the Curator when it first launched, way back in
2008. He
A Holy Place
Whether we think of paradise as a place or a state of being, it is fundamentally
unitive in nature, characterized by the harmonious interrelationship of all
creation. By 1859, inspired
In 2019, the Tate Modern in London held an exhibition entitled “Magic Realism:
Art in Weimar Germany 1919-33.” One painting on display burrowed deep into my
brain, Jeanne Mammen’s At the Shooting