Remembering the Unicorn

"The seven individual hangings known as 'The Unicorn Tapestries,' are among the most beautiful and complex works of art from the late Middle Ages that survive." The Met Cloisters, tapestries from 1495-1505

by Shelley Saposnik

She moves through bare hallowed halls,
hands hidden within pockets of wool,
a rosary swinging from her waist;

her heels click stone floors, quick as the crack of a whip.

A white stallion woven in silken threads
Nostrils flaring, tongue raging
Plunges, unable to wrest himself

From a fence sequestering his freedom.

“Christ claims silence in the hunt for ritual,”
she murmurs, then prostrates herself
before an aged cross.

“Benedictus, Benedictus, Benedictus.”

Outside wind forces colored leaves to the brink,
the draft sets stained-glass rattling.
Bound by robes, stiff and course against her flesh,

she remembers

spring and summer when there were
hyssop
basil and
wild thyme

and she smells

quince, grown ripe on dainty trees in the garden.


About the Author

Shelley Saposnik acquired her B.A. in English Literature from Columbia University and an M.F.A. in Writing from Vermont College of Fine Arts. She teaches Modern European and Renaissance Literature at Touro College and her most recent publication can be found in The Jewish Literary Journal.

Curator Staff

Curator Staff