Kathryn Watson is a freelance writer and editor with recent bylines in Christianity Today, Curbed, Plough, Breaking Ground, and The Curator. Armed with a degree in creative writing and half an art his
Jia Tolentino’s debut essay collection, Trick Mirror: Reflections on
Self-Delusion, is popular. The book hit #2 on the NYT Bestseller list the week
it became eligible for that list’s measurement, and
When I walk into the floor-level seating section of the Wellmont Theatre, the
first thing that hits me is the sound. It rises like a wave that crests,
crescendos, and recedes, beckoning me
It’s hailed as “Music’s Biggest Night” but in reality, it’s a very, very long
afternoon that turns into a glamorous dusk. Outside of the Staples Center, the
Los Angeles sun
After the enamored guitars and driving, straightforward vocals that
characterized their first trio of albums (Pablo Honey, The Bends, OK Computer),
and the menace of digital angst that haunted the second three (Kid