Do you film well?
If you can excuse a moment of semi-shameless self-promotion:
I (Alissa, the editor of The Curator), along with five other accomplished film
critics and writers, am involved with a new venture called Filmwell
Alissa Wilkinson
<a href="http://www.alissawilkinson.com">Alissa Wilkinson</a> founded The Curator in 2008 and was its editor for two years. She now teaches writing and humanities a <a href="http://www.tkc.edu">The Ki
Hyperlocal AND hyperglobal?
The New York Times, in conjunction with the International Herald Tribune, now
has a global edition [http://global.nytimes.com/]. From the “about” page
[http://www.nytimes.com/marketing/globaledition/]:
> Combining the
Anti-social media
From The Guardian: The joy of anti-social media
[http://www.guardian.co.uk/books/booksblog/2009/feb/23/social-media-literature-reading]
.
> Social media have undeniably changed the way many of us talk about books,
March 27, 2009
Get (Emotionally) Naked?
Three Films and NudityBy J. Marcus Weekley
[http://www.curatormagazine.com/jmarcusweekley/]
In great art – great film, great painting, great quilting, great photography –
prurience has little place. However, nudity for
Cheating? or Creativity?
From Prospect: Cut-and-paste writing
[http://www.prospect-magazine.co.uk/article_details.php?id=10646].
> I imagine some may consider this cheating: reducing the art of writing to an
elaborate game of cut-and-paste.