Aaron Belz has published four poetry collections—Soft Launch (2019), Glitter Bomb (2014), Lovely, Raspberry (2010), and The Bird Hoverer (2007)—and holds a Master’s in Creative Writing from NYU and a
My feet, at the ends of my legs, do their job.
My face competently presents itself to others.
My hands do their job of grasping fruit
from my neighbor’s grove while my
Modernist poets had typewriters and smoke-filled coffee shops. Their
observations, however quotidian, sparkled on the page. Their schools and
movements existed in relative secrecy. Myths surrounded them.
Nowadays, coffee shops are smoke-free, and
You think there’s more to this. Look:
When I look I see skeletons walking around.
I see ghosts of mammals gallivanting
with iPhones in and out of bookshops,
yesteryear’s biplanes spiraling
…
DONATE HERE [http://www.indiegogo.com/projects/the-curator/x/3798887]…
Natalie Race, now Natalie Whitaker, emailed me last August asking if I’d like to
be “more involved” with The Curator, and I
Aaron Belz: Hi, Tony.
Tony Bancroft: Hey Aaron. How are you doing this morning? It’s pretty early for
me, I don’t know about you.
AB: It is a gorgeous day here,